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A rose stem cut down the left of the card with Happy Mother’s Day lettering worked into the opposite side, so the two halves balance rather than compete. I cut this one in deep red — the colour does a lot of the work, and it photographs beautifully against a cream envelope.
The rose is drawn as several separate petal shapes rather than one silhouette, which is what stops it looking flat once the backing layer goes in. If you are making cards for more than one mother in your family, it scales down to A2 without losing detail.
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